Journal of Italian Cinema and Media Studies
Volume 6, Issue 1, 2018, Pages 81-95

In the eye of the beholder: The orientalist representation of Chinese migrants in Italian documentaries (Article)

Pedone V.*
  • a Dipartimento di Lingue, Letterature e Studi Interculturali, University of Florence, Via Santa Reparata, 93, Firenze, 50129, Italy

Abstract

Beginning in the mid-2000s, a number of documentaries about Chinese migration to Italy have been produced both by professional directors and by amateurs, all with no Chinese background, that are mainly aimed at revealing the hidden ‘reality’ of the Chinese immigration population on one hand and, on the other hand, at discarding some of the wide spread prejudices about this group. I selected five of the professionally shot documentaries in order to analyse how they portray the Chinese migrant presence in Italy. While all of these documentaries make an important effort to present Chinese migration to Italy as a positive phenomenon, Orientalism as well as elements of cultural essentialism can still persist. My analysis focuses on the points of view that different directors adopt in depicting Chinese life in Italy, stressing if, where, and how their narratives emphasize cultural distance, otherness and essentialism. © 2018 Intellect Ltd.

Author Keywords

Italianness Ethnicization Racial stereotypes Cultural essentialism Chinese migration Orientalism Sinophobia multiculturalism

Index Keywords

[No Keywords available]

Link
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85037043060&doi=10.1386%2fjicms.6.1.81_1&partnerID=40&md5=c4309a36f0a25d06a4b3fa828e01b5b4

DOI: 10.1386/jicms.6.1.81_1
ISSN: 20477368
Original Language: English