Ghana’s market fiction of the early 2000s takes up the issue of modern slavery, particularly in the form of forced child labour. This paper argues, first of all, that market fiction pits innocent children against negligent parents, to insist that parents shoulder the blame for their children’s descent into slavery. However, the texts frequently directly associate this notion of contemporary culpability with historical complicity in the Atlantic slave trade in a turn that points to the larger systemic inequalities of modernity that encourage parents to ‘sell’ their own children. With reference to Perry Nodelman’s notion of the ‘shadow text’ that accompanies all narrative constructions of childhood, we examine how depictions of innocence in these stories of child capture are informed by adult desires and anxieties. Accordingly, the sensational strategy of eliciting culturally painful–and shameful–memories serves as a typically extreme mechanism for delivering cautionary warnings both to adult and young readers not only about the horrific nature of contemporary slavery but also about excessive investment in the structures and ideologies of global capitalism. © 2017, © 2017 Journal of African Cultural Studies.

children’s literature Human trafficking modern slavery African popular fiction Ghanaian literature market fiction

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