Cambridge Journal of Postcolonial Literary Inquiry
Volume 2, Issue 1, 2015, Pages 93-113

Blackface abolition and the new slave narrative (Review)

Murphy L.T.*
  • a Loyola University, New Orleans, United States

Abstract

Since the 1990s, survivors of forced labor have been authoring first-person narratives that consciously and unconsciously reiterate the tropes and conventions of the nineteenth-century American slave narrative. These new slave narratives typically conform to the generic tendencies of the traditional slave narratives and serve similar activist purposes. Some of the most popular of the narratives have taken a particular political turn in the post-9/11 context, however, as neoliberal political agendas and anti-Muslim sentiments come to dominate the form and content of many of the African narratives that have been produced. This paper identifies a blackface abolitionist trend, in which the first-person testimonies of formerly enslaved Africans is co-opted by some politically motivated white American abolitionists to play a black masquerade, in which they adorn themselves with the suffering of enslaved Africans to thinly veil the self-exonerating and self-defensive crusade politics that motivate their engagement in anti-slavery work. © Cambridge University Press 2014.

Author Keywords

Abolition Slave narrative Blackface Slavery Human trafficking

Index Keywords

[No Keywords available]

Link
https://www.scopus.com/inward/record.uri?eid=2-s2.0-84941972483&doi=10.1017%2fpli.2014.32&partnerID=40&md5=2bc1c31ac319fc2e116a1d20bb637479

DOI: 10.1017/pli.2014.32
ISSN: 20522614
Cited by: 7
Original Language: English