Arts in Psychotherapy
Volume 66, 2019
A qualitative analysis of coping with trauma and exile in applied theatre with Syrian refugees: The role of within-group interactions (Article)
de Smet S.* ,
Rousseau C. ,
Stalpaert C. ,
Haene L.D.
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a
Faculty of Psychology and Educational Sciences and Faculty Clinical Centre PraxisP, University of Leuven, Belgium, S:PAM (Studies in Performing Arts & Media), Faculty of Arts and Philosophy, Ghent University, Sint-Pietersnieuwstraat 41, Ghent, 9000, Belgium
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b
Division of Social and Cultural Psychiatry, McGill University, Montréal, Quebec, Canada
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c
S:PAM (Studies in Performing Arts & Media), Faculty of Arts and Philosophy, Ghent University, Sint-Pietersnieuwstraat 41, Ghent, 9000, Belgium
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d
Faculty of Psychology and Educational Sciences and Faculty Clinical Centre PraxisP, University of Leuven, Belgium
Abstract
Around the world, armed conflicts force people to leave their homes, families, and communities in search of protection from collective violence, and seek to regain a meaningful perspective on their lives within the borders of their Western host societies. As the dynamics of organized violence and forced displacement continue to impact and disrupt relationships in refugee communities, scholars in the field of refugee trauma care have increasingly argued for the need to understand spaces that are able to restore safety, meaning, and connectedness in the process of post-trauma reconstruction within those disrupted communities. This is reflected in the growing interest in community-based psychosocial interventions. In this article, we focus on applied theatre interventions with refugee communities. In doing so, we aim to understand the restorative role of within-group interactions in applied theatre. We performed a case study of a community-based applied theatre project with Syrian refugees who were recently resettled in Belgium. The qualitative analysis that was the result of this case study allows us to develop an understanding of the various processes of coping with trauma and exile that are at play in within-group interactions between Syrian community members in applied theatre, against a background of authoritarian rule, collective violence, and forced displacement. © 2019
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Link
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85072863979&doi=10.1016%2fj.aip.2019.101587&partnerID=40&md5=636d64271cec262f648c009dcebb50a8
DOI: 10.1016/j.aip.2019.101587
ISSN: 01974556
Original Language: English